When I began this film I was not only thinking about humanizing the ballerina, but also about the documentary form itself. Interviews can become very dry and impersonal and I really wanted to explore how an interview can be used to connect with a person as opposed to presenting facts or moving along a narrative. I also wanted to explore what it means to exist and be successful as a female artist. No matter what a woman does they can never be separated from the basic principle that they are a woman. I don't necessarily view that as good or bad; it just is. So I was intrigued by the idea of examining the career considered to be the most feminine of all and explore if that changes who the women are as people. In essence, does being a ballerina turn a person into a stereotype or is there an existence beyond the public perception of a ballerina. Even going beyond that to consider what the stereotype of being a woman is and how does a dancer balance both of these labels. In the beginning I also wanted to inform the general public about ballet in general, why it is an important art form, its history, and so on. I quickly realized that was too much for one film and I needed to stay focused on the ballerina. Maybe, I need to make a series of films. That will have to take some consideration, perhaps.
Pictures: (top) Traci Gilchrest, Melissa Anduiza, and Alessandra Ball in the studio (middle) Melissa Anduiza and Pete Walker rehearsing (bottom) Alessandra Ball in her apartment. Visit: strengthandbeautymovie.com for more information about the film.
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